Archive for the ‘Celtic Sculpture’ Category

David Ireland: Sculptures, Paintings, Drawings

ireland sculptures

You can t make art by making art – has been a guiding principle in the
work of David Ireland. The influential West Coast conceptual and
installation artist (born 1930) has had over 40 solo exhibitions, primarily in
the United States. This slim catalogue accompanies Ireland’s first-ever
solo exhibition in the United Kingdom at Karsten Schubert’s Gallery in
London (2008). -Ideally my work has a visual presence that makes it seem
like part of a usual, everyday situation, says the

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Photo Jigsaw Puzzle of Molly Malone statue, (the tart with the cart), Grafton Street, Dublin, Republic from Robert Harding

• This Photo Puzzle features an image chosen by Robert Harding. Estimated image size 356x254mm.

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9. “Statues” – Harry Potter and the Deathly Hallows: Part 2 (soundtrack) – harrypotterart.forumcommunity.net

1852 Copper Engraved Tallis Print - Duke of Wellington - Tower of London Statue

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“She Changes” Sculpture by Janet Echelman – This newly completed sculpture commission by Janet Echelman, changes shape in the wind. 160 feet tall, the sculpture spans 300 feet and suspends over a three-lane highway roundabout on the Atlantic coastline in Porto, Portugal. It is credited as the first permanent monumental sculpture to incorporate fluid movement and is called “one of the truly significant public artworks in recent years” by Sculpture Magazine. The sculpture integrates the history of Porto, where a fishing village became an industrial area with smokestacks and tanks. The red and white stripe pattern of the smoke stack referencing elements continues into the sculptural net shape. The shape of the net mirrors the landscape below. The solid, unmoving forms on the ground accentuate the movement and changing forms in the air. See more at: www.echelman.com

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Chinese sculpture in China – Chinese sculpture in China

Maya Deren’s Experimental Films -

Includes:Meshes of the Afternoon (1943) At Land (1944) A Study in Choreography for Camera (1945) Ritual in Transfigured Time (1946) Meditation on Violence (1948) The Very Eye of Night (1959) Meshes of the Afternoon One of the most important and influential experimental films of the 20th century, Maya Deren’s 18-minute feminist classic explores the interior images of a woman (played by Deren) whose daydreams restore mystery and danger to the ordinary objects of her everyday life. Deren veers away from plot to advance her view that a film should be like a poem: a deep tissue of images designed to examine a mood or startle us with the strangeness of the things around us. Using film as an artistic medium rather than as a vehicle for stars or story or action, Deren looks back toward the earlier European avant-garde of such filmmakers as Germaine Dulac, who believed that film most resembled the abstract yet emotional form of music. Deren’s investigation of one woman’s subconscious experience explicitly rejects the linear form of theater and literature in favor of the non-narrative models offered by painting, music, sculpture, or poetry. This alternative view of film as a non-narrative artform was incalculably influential on future filmmakers, and in 1990 Meshes was named to the Library of Congress’s National Film Registry. ~ Leo Charney, Rovi At Land In this surrealist film, Maya Deren’s character rolls up on the beach, backwards. She crawls through a party unnoticed, but ultimately has social encounters with a number of people, and snatches a chess piece from a game in progress, running past at least three of her selves on her way down the beach. She is sucked back into the ocean from whence she came. ~ David Lewis, Rovi A Study in Choreography for Camera A dance film in which camerawork and editing appears to make the dancer move through a variety of settings without passing through the space in between. So skillfully done that Hollywood dancer/filmmaker Gene Kelly sought Maya Deren’s advice on how it was made. ~ David Lewis, Rovi Ritual in Transfigured Time A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren’s most intriguing works. ~ David Lewis, Rovi Meditation on Violence One of the earliest non-commercial films on the subject of martial arts, Chinese master Chao-Li Chi performs Tai Chi for Maya Deren’s camera to a spare soundtrack combining Chinese flute and Haitian drum music. Of her films, Meditation on Violence was the title least satisfying to Deren, but the subject still has considerable appeal outside of the experimental genre with which she is commonly identified. ~ David Lewis, Rovi The Very Eye of Night The Very Eye of Night is filmmaker Maya Deren’s last completed film. It was made from 1952 to 1955 in collaboration with choreographer Antony Tudor, but it was not released until 1959 when the musical score by Teiji Ito was added. The entire film is projected
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by Fergal of Claddagh

Question by Terry: Using types of drama of Greek Authors, what would the Celtic myth “The Exile of the Sons of Uisneach” be?
Hint:Deidre

Best answer:

Answer by cardimom
I’m not sure what you mean by “What would it be”, but its a serious tragedy, like the Iliad it is definitely a story about 1 man’s (Conchobar) letting his greed, lust and insecurity run rampant and preventing him from being a responsible ruler, a rational thinking ruler. He jeopardizes and destroys his realm because 2 young people fell in love and ran off-(I’m certain that has been occurring since the beginning of time). So strife and destruction ensue,all because a druid made a prophecy while Dierdre was in the womb that she would be the cause of all the destruction, acting on fear instead of reason Conchobar started all the things that set his own and many others doom in motion.
Naoise was a better version of Paris, with his brothers to his rescue. a difference maybe that Cucullain
was not involved as Achilles was literally used to death in The Cattle Raid of Cooley.